Just like an “all seeing” audience cannot understand blindness simply by closing or covering their eyes, “all hearing” people will not understand the everyday and long-term intricacies of not hearing through the simple plugging of one’s ears.

In the large panel of designers wandering around Paris, I certainly wished to one day meet Nicolas Di Felice.

Located in the heart of Haut-Limousin, in the center-east of France, there is a hill covered in woods. This is where the physical and imaginary geographies of artist Fabien Giraud and photographer Alexandre Guirkinger intersect.

For our debut episode, we’re thrilled to welcome French-German photographer and founder of the publishing house Le Rayon Vert, Rebekka Deubner.

It’s been a decade since Alessandro Furchino Capria became a photographer, and 2023 signifies the beginning of a new chapter following his recent move from Milan to London.

IN THE MAKING When Tide informed me their upcoming issue w...

In 1947, André Malraux conceptualised his own “imaginary” museum, where artworks acquire a new life through a confrontation game with other art objects from different cultures and eras.

On the occasion of the Villa Noailles' Centenary, Tide magazine was given carte blanche over the 38th Edition of the International Festival of Hyères, which took place in October 2023.

“I don’t know how to treat Intimacy and Universality in any other way than looking at pictures I’ve taken recently. It’s the world I’m looking at. It doesn’t mean anything. I don’t know why I take them. It’s just what I do.”

This series is taken from our second issue, about the Full & Empty. A stroll through Bangkok’s daily life and objects.

Back in 2019, the photographer Marianne Mueller was invited for a second time to Yekaterinburg. She had "for once, a clear idea for the exhibition" that she would present at her residency.

Soft, rounded shapes. Pastel, citrus and vibrant colours. Colourful backgrounds. Brush marks and cut-outs reveal, here and there, a handwork process.