THE EYE OF
“I don’t know how to treat
Intimacy and Universality in
any other way than looking
at pictures I’ve taken recently.
It’s the world I’m looking at.
It doesn’t mean anything.
I don’t know why I take them.
It’s just what I do.”
Anders Edström
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In 1947, André Malraux conceptualised his own “imaginary” museum, where artworks acquire a new life through a confrontation game with other art objects from different cultures and eras.
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