The first step of photography is the photogram: objects are placed on a photosensitive paper, which is then exposed to light, and after the development and fixing process, the negative, ghostly and luminous imprint of these same objects remains.

On the occasion of the Villa Noailles' Centenary, Tide magazine was given carte blanche over the 38th Edition of the International Festival of Hyères.

“I don’t know how to treat Intimacy and Universality in any other way than looking at pictures I’ve taken recently. It’s the world I’m looking at. It doesn’t mean anything. I don’t know why I take them. It’s just what I do.”

Back in 2019, photographer Marianne Mueller was invited for a second time to Yekaterinburg. She had "for once, a clear idea for the exhibition" that she would present at her residency.

It’s been a decade since Alessandro Furchino Capria became a photographer, and 2023 signifies the beginning of a new chapter following his recent move from Milan to London.

In 1947, André Malraux conceptualised his own “imaginary” museum, where artworks acquire a new life through a confrontation game with other art objects from different cultures and eras.

This series is taken from our second issue, about the Full & Empty. A stroll through Bangkok’s daily life and objects.

Soft, rounded shapes. Pastel, citrus and vibrant colours. Colourful backgrounds. Brush marks and cut-outs reveal, here and there, a handwork process.