CARTE BLANCHE
On the occasion of the Villa Noailles' Centenary, Tide magazine was given carte blanche over the 38th Edition of the International Festival of Hyères.
Our team and its contributors creatively shaped all the content surrounding the ten finalists in the Accessory competition, as well as the Hermès Prize.
The Hermès film have screened during the main show of the Festival, while the photographs have been printed in the Festival’s official edition, as well as exhibited inside and outside the Villa Noailles. All content are available on the official website of the Villa Noailles, and on its Instagram account @villanoailles.
Creative Director CAMILLE SEI
Photographer and Director ILARIA ORSINI
Directors of Photography EMANUELE CANTO & CIRO DI NICCOLO
Photography Assistant FRANCESCO COLOMBON
Fashion and Cultural Partnerships PAULINE MARIE MALIER
Production MICHEL GHEORGHE
Sound Designer LUCA PETTINELA
Stylist JOSEPH ECORCHARD
Set Designer LUNE KUIPERS
Hair & Make-up KHELA PROMUA
Models ANTONIA CHRISTINE LIEBLER, JULLIEN MASSELO, JORDAN GOUSSE
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Read more: Blue Is My Favourite Colour</span></p>Alessandro F. Capria
Blue Is My Favourite ColourAlessandro F. Capria
It’s been a decade since Alessandro Furchino Capria became a photographer, and 2023 signifies the beginning of a new chapter following his recent move from Milan to London.
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Read more: Metamorphoses</span></p>Zahra Tavassoli Zea
MetamorphosesZahra Tavassoli Zea
In 1947, André Malraux conceptualised his own “imaginary” museum, where artworks acquire a new life through a confrontation game with other art objects from different cultures and eras.
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Read more: Hermès Prize Villa Noailles</span></p>Ilaria Orsini
Hermès Prize Villa NoaillesIlaria Orsini
On the occasion of the Villa Noailles' Centenary, Tide magazine was given carte blanche over the 38th Edition of the International Festival of Hyères, which took place in October 2023.
Read more -
Read more: Around Stockholm</span></p>Anders Edström
Around StockholmAnders Edström
“I don’t know how to treat Intimacy and Universality in any other way than looking at pictures I’ve taken recently. It’s the world I’m looking at. It doesn’t mean anything. I don’t know why I take them. It’s just what I do.”Read more
